Back In the Mix
The new Beastie Boys brings that spirit in a '64 funky style..Very classy.
I've always felt that the Beastie Boys instrumental tunes were highly underrated, and I've often wondered when a instrumental album was going to emerge. The collection of instrumentals and B-Sides from "Check Your Head" and "Ill Communication" displayed on "In Sounds from Way Out" were nothing less than stellar, and it was time. Their musical influences, tastes, and integrity operate at a Wes Unseld level...With this album, they made a Hall-of-Fame Outlet.
"Money" Mark Nishita is back on the keys. From the start of the album, he showed that he's back in the mix with "B for My Name." "14 St. Break" brings the beat. The "Gala Event" is great for zoning out and nodding that head. "The Electric Worm" spaces it at the 2:52 mark. Get ready to do pull-ups on "Off the Grid." Watch out for the organ chirp on "The Melee." Don't sleep on the sitar guitar on "Dramastically Different", and be thankful for the closing bells on "The Kangaroo Rat."
They've intertwined styles throughout the album, and you'll notice beats stemming from 'Deep Cover', Incredible Bongo Band, 80's hip-hop, and...Aw Hell, whatever you want them to be...All are great calls.
They're rocking suits and shirts in colors that would could appear on an Impulse cover from the early '60s...Very classy. Since the Dead has faded, I can't think of another band other than U2, who is carrying the torch for integrity and newfound ground in listening experiences. Seriously, name five bands, who have consistently broken new ground throughout a twenty year career that in today's music world. Tough...isn't it?
My only hope is that they're still working on their jumpers...I have to catch these guys on tour.
Bring back the green tea, parano cheese, and protein shakes. That Jim Rockford feeling is back...Baccdafuccup.

Back In the Mix,
IronDog





